Commissioned by Adam Cockerham and Mutable Music. Recording from the Interpretations series at Roulette in Brooklyn May 5, 2016
Program Note: In the Fall of 2015 I wrote a solo piano piece for Sarah Cahill titled “track”. That work was inspired by this quote often credited to Henry David Thoreau: “As a single footstep will not make a path on the earth, so a single thought will not make a pathway in the mind. To make a deep physical path, we walk again and again. To make a deep mental path, we must think over and over the kind of thoughts we wish to dominate our lives.”
When granted the opportunity to write a work for Adam Cockerham this text still lingered in my mind. I have since discovered that my book had misattributed the text to Thoreau when in fact it was written by Wilfred Arlan Peterson who was rehashing a concept he claims to have gotten from Thoreau’s “Walden”. While this new theorbo work shares some features of the piano piece written for Sarah Cahill, it may be more appropriate to do my own paraphrase of Luciano Berio. “The completed work is the ritual and commentary of other works preceding it, of more works that will follow. The question does not provoke a response but rather commentary and new questions”.
Adam Cockerham bio:
Early music artist Adam Cockerham specializes in theorbo, lute, and baroque guitar. He has performed with ensembles such as Trinity Baroque Orchestra, NOVUS NY, Philharmonia Chamber Players, New York Baroque Incorporated, El Mundo, and J415. He has been involved in modern world premiere performances of 17th-century operas with companies such as Innsbrucker Festwochen der Alten Musik (Le nozze in sogno), Ars Minerva (La Cleopatra, Le Amazzoni nelle isole fortunate), and world premiere performances of new operas with companies like the Prototype Festival (Pulitzer Prize-winning Angel’s Bone) and Opera Saratoga (A Long Walk).
Cockerham is currently a doctoral candidate at The Juilliard School after completing his Master of Music degree in Historical Plucked Strings, studying with Charles Weaver and Daniel Swenberg. He also holds Master and Bachelor of Music degrees in Classical Guitar Performance from the San Francisco Conservatory of music where he studied guitar with Sérgio Assad, David Tanenbaum, and Lawrence Ferrara, and early plucked strings with Richard Savino. Partnering with acclaimed mezzo-soprano Danielle Sampson, he founded voice and guitar/lute duo Jarring Sounds, which released its first album in 2014.
NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs. Bandcamp New & Notable Sep 20, 2020
The latest from multi-instrumentalist Christine Ott alternates ghostly piano compositions with lush & hovering synth-driven songs. Bandcamp New & Notable Apr 11, 2021
Inspired by the Welsh notion of “cynefin,” which is thematically similar to the LP’s title, “Notes on Belonging” is both warm and wistful. Bandcamp New & Notable Oct 16, 2017
The soundtrack to the award-winning film “Freeland” functions beautifully as an album in its own right, with stark, evocative instrumentals. Bandcamp New & Notable Mar 7, 2021
The first release on Cacophonous Revival, from experimentalist Samuel Goff, uses avant-garde approaches to get at personal narratives. Bandcamp New & Notable Feb 4, 2020